Faculties
A Symphony Of Talents, Today And Tomorrow
People are at the heart of everything we do. Our students, alumni, faculty and staff are our driving force for excellence as we strive to nurture musical and creative talents of tomorrow. Passionate and full of potential, our students can count on us to be the bridge between them and their dreams. Our faculty, experts in the fields and with decades of expertise from across the world, are dedicated to nurture the next generations of talents. And our staff – the chords that bind us all together – from admissions to partnerships and the little things that keep us going.
Professor Greg Whateley
Chairman for Academic & Examination Board | Emeritus Professor of UBSS
Adj Professor Andy Wong
Vice-Chairman for Academic & Examination Board
Hitmaker Global Academy
Professor Ian Bofinger
Academic & Examination board | Executive Dean of AMPA
Nelson Kwei
Academic & Examination Board
Founder & Director | Konzert Choral
Mr Shawn Kok
Academic & Examination board | AEB Hitmaker Global Academy
Our Leadership
Andy Wong
Executive Dean & Director
Chang Hong
CEO
Jeff Miyahara
Chief Creative Officer
Mr Darrell Ang
Honorary Dean
Ms Kelly Wee
General Manager & Management Representative
Mr Nic Lee
COO, Hitmaker Records
Our Faculty
Chong Hsien Xian
AVID Certified Instructor, Music Production Instructor at Hitmaker Global Academy
Christine Sham
Lecturer at Hitmaker Global Academy
Colin Yong Boon Cheok
Senior Lecturer at Hitmaker Global Academy
Daryl Tay Wen Qiang
Lecturer at Hitmaker Global Academy
Eric Wong Hock Ling
Vice Dean at Hitmaker Global Academy
Eugene Seow
Academy Manager at Hitmaker Global Academy
Fabian Lim Yong Liang
Senior Lecturer at Hitmaker Global Academy
John Stephen Sharpley
Senior Lecturer at Hitmaker Global Academy
Junior Tan
AVID Certified Instructor, Vocal & Music Production Instructor at Hitmaker Global Academy
Matthew Siew
Avid Certified Instructor, Senior lecturer and Talent Development Director
Ng Sok Wah
Programme Manager & Avid Certified Instructor at Hitmaker Global Academy
Shawn Kok
Academic & Examination Board member at Hitmaker Global Academy
Wilson Ong
Colin Yong Boon Cheok | Bachelor of Arts, National University of Singapore
Senior Lecturer | Part-Time
Accelerated Foundation Programme in Music and Creative Arts | Private Instruction |
Ensemble | |
Sibelius Notation | |
Contemporary Music Arrangement I | |
Diploma in Music Teaching | Private Instructions (Optional) |
Ensemble + Performance Style and Appreciation | |
Sibelius Notation | |
Capstone Project | |
Diploma in Songwriting and Music Production |
Performance Studies (Selective Options – Keyboard Skills, Guitar, Drum, Bass) |
Sibelius Notation | |
Diploma in Music Composition for Film and TV |
Performance Studies (Selective Options – Keyboard Skills, Guitar, Drum, Bass) |
Sibelius Notation |
Chang Hong | Post-Grad in Music Performance, Yong Siew Toh Conservatory of Music, NUS
Principal & CEO | Full-Time
Accelerated Foundation Programme in Music and Creative Arts | Private Instruction |
Ensemble | |
Global Experience Workshop (GEX) | |
Diploma in Music Teaching | Private Instructions (Optional) |
Ensemble + Performance Style and Appreciation | |
Global Experience Workshop (GEX) | |
Capstone Project | |
Diploma in Songwriting and Music Production | Global Experience Workshop (GEX) |
Diploma in Music Composition for Film and TV | Global Experience Workshop (GEX) |
Chong Hsien Xian | Bachelor of Creative Technology, JMC Academy
Lecturer | Part-Time
Accelerated Foundation Programme in Music and Creative Arts | Contemporary Music Arrangement I |
Diploma in Music Teaching | Private Instructions (Optional) |
Music and Audio Production and Post-Production | |
Capstone Project | |
Diploma in Songwriting and Music Production | Songwriting I, II & III |
Music Production I, II & III | |
K-Pop Specialised Course | |
EDM Specialised Course | |
Diploma in Music Composition for Film and TV | Cubase Fundamental |
Daryl Tay Wen Qiang | Diploma in Mass Communication, Ngee Ann Polytechnic
Lecturer | Part-Time
Accelerated Foundation Programme in Music and Creative Arts | Private Instruction |
Diploma in Music Teaching | Private Instructions (Optional) |
Capstone Project | |
Diploma in Songwriting and Music Production |
Performance Studies (Selective Options – Keyboard Skills, Guitar, Drum, Bass) |
Diploma in Music Composition for Film and TV |
Performance Studies (Selective Options – Keyboard Skills, Guitar, Drum, Bass) |
Fabian Lim Yong Liang | Master of Education (Music), Nanyang Technological University
Senior Lecturer | Part-Time
Accelerated Foundation Programme in Music and Creative Arts | Private Instruction |
Tonal Theory I | |
Contemporary Theory I | |
Tonal Solfège I | |
Contemporary Ear Training I | |
Nomenclature I & II | |
Contemporary Music Arrangement I | |
Music History | The Middle Ages to Classical | |
Music History | Beethoven to Bernstein | |
Advanced Certificate in Music Teaching | Performance Style and Music Appreciation (Jazz/Contemporary) |
Accelerated Tonal/Contemporary Harmony | |
Accelerated Tonal Solfège/Contemporary for Ear Training | |
Accelerated Nomenclature | |
Diploma in Music Teaching | Private Instructions (Optional) |
Tonal and Contemporary Theory | |
Ear Training | |
Music Analysis | |
Music History | Beethoven to Bernstein | |
Music History | The Birth of Jazz & Popular Music | |
Capstone Project | |
Diploma in Songwriting and Music Production |
Performance Studies (Selective Options – Keyboard Skills, Guitar, Drum, Bass) |
Tonal Theory | |
Contemporary Theory | |
Tonal Solfège | |
Contemporary Ear Training | |
Music History | Beethoven to Bernstein | |
Music History | The Birth of Jazz & Popular Music | |
Diploma in Music Composition for Film and TV |
Performance Studies (Selective Options – Keyboard Skills, Guitar, Drum, Bass) |
Tonal Theory | |
Contemporary Theory | |
Tonal Solfège | |
Contemporary Ear Training | |
Music History | Beethoven to Bernstein | |
Music History | The Birth of Jazz & Popular Music |
Junior Tan | Diploma in Music Production & Audio Engineering, Orita Sinclair
Lecturer | Part-Time
Accelerated Foundation Programme in Music and Creative Arts | Private Instruction |
Ensemble | |
Diploma in Music Teaching | Private Instructions (Optional) |
Capstone Project | |
Diploma in Songwriting and Music Production |
Performance Studies (Selective Options – Keyboard Skills, Guitar, Drum, Bass) |
Songwriting I, II & III | |
Music Production I, II & III | |
Diploma in Music Composition for Film and TV |
Performance Studies (Selective Options – Keyboard Skills, Guitar, Drum, Bass) |
Cubase Fundamental |
John Stephen Sharpley | Doctor of Musical Arts, Boston University
Senior Lecturer | Part-Time
Accelerated Foundation Programme in Music and Creative Arts | Private Instruction |
Advanced Certificate in Music Teaching | Accelerated Nomenclature |
Theoretical and Culture Applications in Music Education: An Introduction | |
Diploma in Music Teaching | Private Instructions (Optional) |
Music Analysis | |
Theoretical and Culture Applications in Music Education: An Introduction | |
Music Education Pedagogy, E-Pedagogy and Facilitation | |
Music History | Beethoven to Bernstein | |
Music History | The Birth of Jazz & Popular Music | |
Capstone Project | |
Diploma in Songwriting and Music Production | Music History | Beethoven to Bernstein |
Music History | The Birth of Jazz & Popular Music | |
Diploma in Music Composition for Film and TV | Music History | Beethoven to Bernstein |
Music History | The Birth of Jazz & Popular Music |
Kok Wai Heng Shawn | Master of Music Education, Boston University
Academic & Examination Board Member | Part-Time
Accelerated Foundation Programme in Music and Creative Arts | Private Instruction |
Ensemble | |
Performance Style and Music Appreciation | |
Advanced Certificate in Music Teaching | Performance Style and Music Appreciation (Jazz/Contemporary) |
Introduction to the Learning Theories and the Psychology & Sociology of Learning | |
Theoretical and Culture Applications in Music Education: An Introduction | |
Music Education Pedagogy, E-Pedagogy and Facilitation | |
Diploma in Music Teaching | Private Instructions (Optional) |
Ensemble + Performance Style and Appreciation | |
Introduction to the Learning Theories and the Psychology & Sociology of Learning | |
Theoretical and Culture Applications in Music Education: An Introduction | |
Music Education Pedagogy, E-Pedagogy and Facilitation | |
Capstone Project | |
Diploma in Songwriting and Music Production |
Performance Studies (Selective Options – Keyboard Skills, Guitar, Drum, Bass) |
Performance Style and Music Appreciation | |
Diploma in Music Composition for Film and TV |
Performance Studies (Selective Options – Keyboard Skills, Guitar, Drum, Bass) |
Performance Style and Music Appreciation |
Ng Sok Wah | Bachelor of Music Studies, University of Sydney
Programme Manager | Full-Time
Accelerated Foundation Programme in Music and Creative Arts | Private Instruction |
Sibelius Notation | |
Diploma in Music Teaching | Private Instructions (Optional) |
Sibelius Notation | |
Effective Communication & Language I & II | |
Capstone Project | |
Diploma in Songwriting and Music Production | Sibelius Notation |
Diploma in Music Composition for Film and TV | Sibelius Notation |
Ong Chok Yen Wilson | Master of Music, Yong Siew Toh Conservatory of Music, NUS
Vice Dean | Part-Time
Accelerated Foundation Programme in Music and Creative Arts | Private Instruction |
Ensemble | |
Tonal Solfège I | |
Advanced Certificate in Music Teaching | Accelerated Nomenclature |
Diploma in Music Teaching | Private Instructions (Optional) |
Ensemble + Performance Style and Appreciation | |
Ear Training | |
Capstone Project | |
Diploma in Songwriting and Music Production | Tonal Solfège |
Diploma in Music Composition for Film and TV | Tonal Solfège |
Contemporary Ear Training |
Poh Qingle | Diploma in Music & Audio Technology, Singapore Polytechnic
Lecturer | Part-Time
Accelerated Foundation Programme in Music and Creative Arts | Private Instruction |
Contemporary Music Arrangement I | |
Diploma in Music Teaching | Private Instructions (Optional) |
Music and Audio Production and Post-Production | |
Capstone Project | |
Diploma in Songwriting and Music Production |
Performance Studies (Selective Options – Keyboard Skills, Guitar, Drum, Bass) |
Songwriting I, II & III | |
Music Production I, II & III | |
Pop Specialised Course | |
Diploma in Music Composition for Film and TV |
Performance Studies (Selective Options – Keyboard Skills, Guitar, Drum, Bass) |
Logic Fundamental |
Sham Sze Ting | Bachelor of Music, Berklee College of Music
Senior Lecturer | Part-Time
Accelerated Foundation Programme in Music and Creative Arts | Private Instruction |
Contemporary Music Arrangement I | |
Diploma in Music Teaching | Private Instructions (Optional) |
Music and Audio Production and Post-Production | |
Capstone Project | |
Diploma in Songwriting and Music Production |
Performance Studies (Selective Options – Keyboard Skills, Guitar, Drum, Bass) |
Songwriting I, II & III | |
Music Production I, II & III | |
K-Pop Specialised Course | |
Pop Specialised Course | |
Diploma in Music Composition for Film and TV |
Performance Studies (Selective Options – Keyboard Skills, Guitar, Drum, Bass) |
Logic Fundamental | |
Scoring for Film and TV I, II & III |
Seow Youjing Eugene | Master of Music, Queens College
Academic Manager | Full-Time
Accelerated Foundation Programme in Music and Creative Arts | Private Instruction |
Tonal Theory I | |
Contemporary Theory I | |
Tonal Solfège I | |
Contemporary Ear Training I | |
Nomenclature I & II | |
Advanced Certificate in Music Teaching | Performance Style and Music Appreciation (Jazz/Contemporary) |
Accelerated Tonal/Contemporary Harmony | |
Accelerated Tonal Solfège/Contemporary for Ear Training | |
Accelerated Nomenclature | |
Diploma in Music Teaching | Private Instructions (Optional) |
Tonal and Contemporary Theory | |
Ear Training | |
Music Analysis | |
Physical Training & Discipline | |
Capstone Project | |
Diploma in Songwriting and Music Production |
Performance Studies (Selective Options – Keyboard Skills, Guitar, Drum, Bass) |
Tonal Theory | |
Contemporary Theory | |
Tonal Solfège | |
Contemporary Ear Training | |
Diploma in Music Composition for Film and TV |
Performance Studies (Selective Options – Keyboard Skills, Guitar, Drum, Bass) |
Tonal Theory | |
Contemporary Theory | |
Tonal Solfège | |
Contemporary Ear Training |
Siew Renhao Matthew | Bachelor of Creative Industries, Queenland University of Technology
Senior Lecturer | Part-Time
Accelerated Foundation Programme in Music and Creative Arts | Private Instruction |
Ensemble | |
Sibelius Notation | |
Global Experience Workshop (GEX) | |
Advanced Certificate in Music Teaching | Performance Style and Music Appreciation (Jazz/Contemporary) |
Diploma in Music Teaching | Private Instructions (Optional) |
Ensemble + Performance Style and Appreciation | |
Sibelius Notation | |
Global Experience Workshop (GEX) | |
Capstone Project | |
Diploma in Songwriting and Music Production |
Performance Studies (Selective Options – Keyboard Skills, Guitar, Drum, Bass) |
Performance Style and Music Appreciation | |
Sibelius Notation | |
Global Experience Workshop (GEX) | |
Diploma in Music Composition for Film and TV |
Performance Studies (Selective Options – Keyboard Skills, Guitar, Drum, Bass) |
Performance Style and Music Appreciation | |
Sibelius Notation | |
Global Experience Workshop (GEX) |
Wong Hock Ling | Bachelor in Psychology, SIM University
Vice Dean | Part-Time
Accelerated Foundation Programme in Music and Creative Arts | Private Instruction |
Diploma in Music Teaching | Private Instructions (Optional) |
Music and Audio Production and Post-Production | |
Capstone Project | |
Diploma in Songwriting and Music Production |
Performance Studies (Selective Options – Keyboard Skills, Guitar, Drum, Bass) |
Diploma in Music Composition for Film and TV |
Performance Studies (Selective Options – Keyboard Skills, Guitar, Drum, Bass) |
Our Students and Alumni
Mei Song
Associate Professor at Sichuan Conservatory of Music |
Continuous Education & Professional Studies (CET) with Hitmaker
Ping Yuan
Professor of Shanghai Conservatory of Music | Jazz and Music Production with Hitmaker
Yang Tingting
Zhang Li
Liuqin Instructor at Hitmaker Global Academy | Continuous Education & Professional Studies (CET) with Hitmaker